About a year ago, Gwen and I got involved with the Society for Creative Anachronism (SCA), a medieval and Renaissance history group that recreates most aspects of pre-1600 European life (except the Black Death). And by “got involved,” I mean that it’s now our primary leisure-time activity. We’re having a fantastic time with it, and given the breadth and depth of our activities, it’s hard to believe that we’ve only been doing it for a little more than a year. Case in point: Two weeks ago we attended a Yule celebration co-hosted by two groups in the Los Angeles area, the Barony of Altavia and the Barony of the Angels. During the feast, they held a competition to determine their respective bardic champions, i.e. the singer, musician, poet, or storyteller that each of these groups wished to represent and serve them for the coming year. At the encouragement of a friend of mine, I decided to enter, with a performance that I’d describe as storytelling interspersed with song. The result, to my utter surprise, was that I was named the next Bard of the Angels.
Now, I’d been curious about medieval poetry already, particularly because so much of it is tied to the music of the period, but this increased the urgency of learning more. So, since I learn best by doing, I’ve decided to write a poem in a period form for each day that I serve as Seraph Bard (as the bardic champion of the Barony of the Angels is sometimes styled). Each month I’m going to pick a different poetic form to experiment with. (December’s form is the rondeau simple, also called a triolet.) The genesis for each poem comes from something that day. At the end of the year, I plan to collect all of them and present them in book form to my patrons, the Baron and Baroness of the Angels.
So that should clear that up.